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Erik Bulatov
Erik Bulatov

Erik Bulatov

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Erik Bulatov is one of the key figures in contemporary Russian art, one of the reformers of the painting in the second half of the 20th century. Its formation and fame in the 1960 – 1980’s were connected with the circle of non-conformism, “other art” in which he was perceived by one of the authorities, along with his closest friends - Ilya Kabakov, Oleg Vasiliev and others. Bulatov’s name is usually connected with such stylistic trends as “pop art”, “sots-art” and “photorealism”, but it is obvious that the artist’s works are not limited to them. An exceptional combination of skill and analytics made Bulatov's art recognizable all over the world – one of the first among contemporary Russian artists.
 

Bio

Erik Vladimirovich Bulatov was born on Sepember 5, 1933 in Sverdlovsk (now Ekaterinburg), where his father was sent for work from Moscow. Bulatov’s family came back to Moscow in 1936, where he lives since then (from 1989 to 1991 he lived in New York, from 1991 to the present – mostly lives in Paris). In 1952 – 1958 Bulatov studied at Surikov Art Institute. Throughout the 1950s he regularly worked with Robert Falk and Vladimir Favorsky, whom he considers his teachers. In 1967 he became a member of the Union of Artists of the USSR (as an illustrator of children’s books, on which he worked in collaboration with Oleg Vassiliev). He was practically not exhibited in the USSR (the exhibition at the Kurchatov Institute in 1964 was immediately closed by the authorities, in 1968 there was a one-day exhibition in the Blue Bird cafe). His first solo exhibition took place in 1988 at the Museum of Fine Arts of Zurich, immediately after it at the Center Georges Pompidou (the first among Russian contemporaries). Bulatov took part in the Venice Biennale, in the Biennale of Gwangju where he was award in 1997. His art has been repeatedly shown in European museums. The most large-scale exhibitions were held at the State Tretyakov Gallery (2006) and the Moscow Manege (2014).

Exhibitions
& catalogs

Solo exhibitions
  • 2024 MOVING ON. ARTIST'S LAB. Multimedia Art Museum. Moscow
  • 2023 Exit - Exit. pop/off/art. Moscow
  • 2023 Horizon. Nizhny Novgorod State Art Museum. Nizhny Novgorod
  • 2020 Mural “Stop - go. Barn in Normandy" as part of the Art-Ravine festival. Vyksa
  • 2019 Black Horizon. Galerie BPS22. Musée d’art dela Provincede Hainaut. Charleroi. Belgium
  • 2018 Erik Bulatov. Freedom exists. Graphics of 1955-2018. Yeltsin Center. Yekaterinburg
  • 2017 A painting and visitors in the exposition of the State Tretyakov Gallery. The State Tretyakov Gallery. Moscow
Load more...
  • 2024 Made at dacha. pop/off/art 2.0. Moscow
  • 2022 360 degrees, or facet vision of a dragonfly. Zaryadye Park. Moscow
  • 2021 The Cool and the Cold. Painting of the USA and USSR. 1960 - 1990. Martin-Gropius-Bau. Berlin. Germany
  • 2021 Shadow of the soul, but a little sharper. Multimedia art museum. Moscow
  • 2021 Coral Island: sex on the beach. Museum Art4. Moscow
  • 2021 Summer Exhibition. House of Radio. Saint Petersburg
  • 2020 I've been here before. MYTH gallery. Saint Petersburg
Load more...
  • The Albertina Museum. Vein. Austria
  • Ludwig Forum für Internationale Kunst. Aachen. Germany
  • Deutsches Historisches Museum. Berlin. Germany
  • Kestnergesellschaft. Hanover. Germany
  • Galerie Neue Meister. Dresden. Germany Museum Ludwig. Cologne. Germany
  • Fondazione Sandretto. Turin. Italy
  • Mudam Luxemburg. Grand Duke Jean Museum of Modern Art. Luxembourg
Load more...
  • Eric Bulatov. Here. 2006. Moscow. WAM Books
  • Eric Bulatov: Catalog of works in two volumes. 2012. Wienand
  • Eric Bulatov. I live - I see. 2014. Moscow. Scanrus
  • Eric Bulatov. Author Margarita Tupitsyna. 2014. Moscow. Ad Marginem
  • Eric Bulatov. Painting after painting. Author Sergey Popov. 2017. Moscow. BREUS

Works

All
Night light. 2018

Night light. 2018

Oil on canvas. 50х60. Private collection
Painting and viewers. 2011-2013

Painting and viewers. 2011-2013

Oil on canvas. 200х250. State Tretyakov gallery
Barn in Normandy. 2011

Barn in Normandy. 2011

Oil on canvas. 200х200. Collection of Natalia Godzina, Paris, France
Our time has come. 2009–2010

Our time has come. 2009–2010

Oil and mixed media on canvas. 200×200. Collection of Shalva Breus, Moscow
How do i know where. 2009

How do i know where. 2009

Oil and colored pencil on canvas. 200×200. Collection of Natalia Godzina, Paris, Moscow
TRAIN — TRAIN. 2007

TRAIN — TRAIN. 2007

Oil on canvas. 170×230. Collection Dieter and Si Rosenkranz, Berlin
А. 2008

А. 2008

Oil on canvas. 200х200. Private collection
DOT. 2003/2005

DOT. 2003/2005

Oil, acrylic and pastel on canvas. 200×200. Collection of Natalia Godzina, Paris, Moscow
I WANTED IT TO BE DAILY, WELL, I CAN’T HAVE TIME. 2002

I WANTED IT TO BE DAILY, WELL, I CAN’T HAVE TIME. 2002

Oil and colored pencil on paper. 200×200. Collection of Natalia Godzina, Paris, Moscow
HERE. 2001

HERE. 2001

Oil on canvas. 200×200. Collection of Natalia Godzina, Paris, Moscow
НЕБОСВОД — НЕБОСКЛОН. 2001

НЕБОСВОД — НЕБОСКЛОН. 2001

Oil on canvas. 200×200. Sepherot Foundation, Liechtenstein
WATER FLEW. 2001

WATER FLEW. 2001

Oil on canvas. 200×200. Collection of Natalia Godzina, Paris, Moscow
THE SKY BEHIND GRATES. 2000

THE SKY BEHIND GRATES. 2000

Oil on canvas. 220×180. Sepherot Foundation, Liechtenstein
LIVE — SEE II. 1999

LIVE — SEE II. 1999

Oil on canvas. 200×200. Museum of Avant-Garde Art
RUSSIAN XX CENTURY III. 1998–1999

RUSSIAN XX CENTURY III. 1998–1999

Oil on canvas. 200×200. Collection of Shalva Breus, Moscow
Venus in front of the mirror. 1996-1997

Venus in front of the mirror. 1996-1997

Oil on canvas. 190х140. Collection of the Ekaterina Cultural Foundation, Moscow
Sunset or sunrise. 1989

Sunset or sunrise. 1989

Oil on canvas. 200х200. Ludwig Forum, Aachen, Germany
REVOLUTION - PERESTROIKA. 1988

REVOLUTION - PERESTROIKA. 1988

Oil on canvas. 200×200. Sepherot Foundation, Liechtenstein
DO NOT LEAN. 1982–1987

DO NOT LEAN. 1982–1987

Oil on canvas. 240×170. Museum of Avant-Garde Art
SOVIET SPACE. 1977

SOVIET SPACE. 1977

Oil on canvas. 260,5×200. Museum of Avant-Garde Art
Krasikov street. 1977

Krasikov street. 1977

Oil on canvas. 150х200. Zimmerli Art Museum, Rutgers University, New Brunswick, USA
Glory to the CPSU. 1975-2005

Glory to the CPSU. 1975-2005

Oil on canvas. 200x200. Collection of the Ekaterina Cultural Foundation, Moscow
Walk. 1975

Walk. 1975

Oil on canvas. 230х230. Private collection
Entrance - no entry. 1974-1975

Entrance - no entry. 1974-1975

Oil on canvas. 180х180. Centre Pompidou, Paris, France
WELCOME. 1973–1974

WELCOME. 1973–1974

Oil on canvas. 80×230. Private collection. Moscow
DANGER. 1972-1973

DANGER. 1972-1973

Oil on canvas. 109x110. Zimmerli Art Museum, Rutgers University, New Brunswick, USA
Horizon. 1971-1972

Horizon. 1971-1972

Oil on canvas. 150x180. Museum of Avant-Garde Art
DIAGONAL I. 1966

DIAGONAL I. 1966

Oil on canvas. 100×100. Private collection, Paris
Street. 1966

Street. 1966

Oil on canvas. 81×101. Collection of Ekaterina and Vladimir Semenikhin, Moscow
Cut. 1965–1966

Cut. 1965–1966

Oil on canvas. 110×110. State Tretyakov gallery
Armenian mountains. 1962

Armenian mountains. 1962

Oil on canvas. 60х75
Plate with two pomegranates. 1962

Plate with two pomegranates. 1962

Oil on canvas. 60х80
Pines. 1961

Pines. 1961

Oil on canvas. 58х40,5
FORWARD. 2016

FORWARD. 2016

Tate Modern, London, UK
It's not so scary. 2019

It's not so scary. 2019

L'attente. 2007

L'attente. 2007

Colored pencils on paper. 20x16,8. Private collection
Day Night. 2011

Day Night. 2011

Colored pencils on paper. 28,8x19,4. Private collection
UP – DOWN. 2011

UP – DOWN. 2011

Coored pencil on paper. 28,8x27,8. Private collection
UP - DOWN. 2011

UP - DOWN. 2011

Colored pencils on paper. 28,8x27,8. Private collection
Water flew. 2000

Water flew. 2000

Colored pencil on paper. 29,8x27,8. Private collection
Black evening white snow. 1999

Black evening white snow. 1999

Colored pencil on paper. 28,8x27,8. Private collection

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