George Pusenkoff is a contemporary artist renowned for pioneering the reinterpretation of painting within the digital media context. His work blends classical painting traditions, philosophical thought, and modern technology, operating at the nexus between the critique of digital-era visual culture and the depth of classical art.
Pusenkoff's works are not just images, but forms of perception where colour, texture, and shadow become independent meanings. His author's concept, the "Semiotic Theory of Shadow," considers shadow as a structure of light that carries information. Based on this, the artist developed his unique visual style.
George Pusenkoff is a participant in the Venice Biennale and the creator of the first installation in the history of the Tretyakov Gallery, titled "The Wall." In 2005, he sent a replica of "Mona Lisa" into space, creating an emblem of art beyond time and space. His works are part of collections at the Museum Ludwig, the Venice Biennale, the Ritter Museum, MMOMA, and the Kunstmuseum Bochum, among others. He has held over 60 solo exhibitions around the world.
George Pusenkoff was born in 1953 in Krasnopol (Belarus) in the family of doctors. He received his first drawing lessons from his grandfather, who studied in Vitebsk with Marc Chagall. In 1967 he graduated from the Feshin Art College in Kazan. In 1968, the family moved to Moscow, and in 1971 he entered the Moscow University of Electronic Engineering at the Faculty of Computer Technology, continuing to practice art. After graduating from the university with honors, Pusenkoff entered the Moscow Polygraphic Academy at the Faculty of Graphics, from which he graduated in 1983.
From 1983 to 1987, he worked with publishers and participated in the exhibitions of Perestroika: the 17th and 18th Exhibition of Young Artists, the Rock - Art Parade, ASSA, Hermitage, Labyrinth and others. Since 1987, he began to exhibit abroad, and in 1990, after the invitation of the Hans Mayer Gallery, he began working in Germany.
In 1995, Cohen became the central figure in one of Europe's first copyright trials in the context of postmodern appropriation: he won the case against Helmut Newton, which set a legal and artistic precedent.
He lives and works in Cologne and Moscow.
Pop/off/art gallery doesn't review or accept new artists portfolios
